Absolutely modelled in near collaboration with Dave Derr, Empirical Labs Mike-E Comp offers high-calibre, one-of-a-kind saturation/compression based on the celebrated ELI Distressor. A punchy preamp that’s accessible before the CompSat circuitry, and three diverse accentuation modes, plus NUKE, enable multi-stage mutilation and fast changes to the character of the saturation/compression behaviour. Accessible for the primary time as a local plug-in, Mike-E makes it a add up to blast to go over the edge. And once you do, you’re compensated with nary a imply of harshness—no matter how distant you thrust it to the extraordinary. Abundance without consequence? That’s shake & roll. And it’s what makes Mike-E your man within the box.
The punchy preamp, with its strong and crunchy twisting, is accurately modelled on the line input area of the first equipment. With a special ventured to pick up control, it lets you thrust the CompSat segment harder for expanded compression and immersion. It moreover offers the alternative of twisting some time recently the CompSat section. Mike-E makes it simple to make tons of distinctive sorts of sounds on numerous diverse sound sources, and it continuously sounds analogue and melodic. It’s those enchanted components that make Mike-E so distinctive and so super compelling.
Those chunky white knobs. They let you know what you’re working with: an instinctive interface—labels to switches. Everything is flawlessly put and dead-simple to utilize. Everything is right where you know it’ll be. Softube really modelled not as it were the appearance of Experimental Labs Mike-E but too the care and thought that goes into making it simple and damn fun to utilize. Included as a module for Softube’s master sound guitar and bass stage, Mike-E blows the cover of sound creation conceivable outcomes in Amp Room. It’s a totally unconventional character instrument that produces an abnormally amazing expansion to the Amp Room toolset. Utilize it on bass sounds where it’s particularly bombed.
Image: Softube
