The Red Plug-in Suite precisely models Focusrite’s classic Red extend equalizer and compressor equipment. Letting you abuse the originals’ popular sound, helpfully from inside your sound computer program. Pined for by makers and engineers for their remarkable clarity and flexibility. The initial Red 2 and Red 3 stay prized installations in proficient recording studios the world over. Presently, you’ll be able to utilize these loved pieces, effortlessly and adaptably, in your claim mixes. The Red extend was presented in 1994 and remains among Focusrite’s most effective and recognizable equipment items. It is encased in half-inch thick red anodized aluminium body. Its cleaned steel beat and foot covers that include the classic ‘off specifying, the first Red units are unmistakable.
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Their common, unpretentious sound and particular fashion have earned them ‘iconic’ status within the master sound world. Nearly every major studio possesses or has at some time facilitated, a Focusrite Red. The Red 2 equipment takes its inspiration from the ISA 110 equalizer circuits. First outlined for the sidecar overhaul of the Neve console at Sir George Martin’s Air Studios, London. Its adaptable 6-band arrangement with tall and low-pass channels is capable and responsive. Moreover, recognized by its subjectively warm and smooth sound, the Red 2 is greatly flexible and remains exceedingly sought-after.
Furthermore, the Red 3 equipment, essentially, employments the same circuit topology as the ISA130 compressor module, based around an imaginative exclusive VCA plan that earned Focusrite a TEC grant for Exceptional Specialized Accomplishment in Flag Handling Innovation. The Red 3 is popular for being able to hold a normal sound. This is even true when connecting critical compression. As such, it has remained the choice of numerous of the world’s finest blend engineers, such as Chris Lord-Alge, who proceeds to religiously put his Ruddy 3 over the mix-bus.
Image: Focusrite
