Overstayer M-A-S

Carefully assembled in Los Angeles by Jeff Turzo, Overstayer is something of an underground wonder. Turzo began out making equipment for his individual use, but the word of his remarkable plans spread like talk down Nightfall, and in 2009, Turzo gave the individuals what they needed. Overstayer Recording Gear was born and made a near-fanatical taking after among the in-the-know master sound crowd. Overstayer M-A-S plug-ins offer the same immersion and peak-bending capabilities as the equipment in two modern, upgraded adaptations: the do-it-all master M-A-S and the tone-sculpting Svengali M-A-S Amplified.

Unbelievably modelled, the consonant forming twosome could be a proficient blend engineer’s mystery weapon for including vitality to tracks, sticking buses, and upgrading blends. Discover confidence in high-fidelity. Connect the faction of M-A-S. Softube accurately modelled, fine-tuned, and A/B tried M-A-S against its equipment partner to guarantee to imitate perfection. The result is the same foremost consonant forming as the initial equipment with predominant Softube-quality sound. Nothing less.

An exacting reproduction of the analogue unit, Overstayer M-A-S produces sounds that are as sweet as a large-format comfort but with extraordinary flexibility, vim, and vigour. Whereas the equipment advertised one accentuation sort, we extended that to six. Accentuation Sorts have their time and put, and the ease of utilizing they offer is evident. But some of the time you truly need to go soul-deep into consonant forming. Enter M-A-S Expanded. Rather than Accentuation Sorts, it offers to resound tall- and low-pass channels and a completely adaptable 4-band accentuation EQ that gives you included command over the accentuation and permits you to shape totally unused twisting types.

For mixes with vitality and coherence, both M-A-S and M-A-S Expanded include Double and 2nd modes. Double includes a moment discrete arrange in arrangement to the signal way, spreading the stack among both stages and making a more convincingly complex and exuberant consonant character. This can be clutch when the vocals get gloomy after the distortion/saturation organize. The 2nd highlight shifts the reaction of the circuitry toward a more grounded auxiliary consonant substance to brighten and stimulate the mutilated sound.

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