Telefunken Elektroakustik has suspended standard generation of the AC701 based ELA M 251 microphone. The ELA M 251E highlights the more common GE JAN 6072a vacuum tube. The Telefunken ELA M 251 intensifier circuit was initially built to fulfill the standardized necessities of the German and Austrian national broadcast frameworks after World War II. It…
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If there ever was an amplifier that exemplified classic, hi-fidelity sound, it would be the Austrian-designed C12 Microphone. Initially created by AKG Acoustics in 1953, the C12 is venerated for its smooth, vaporous recurrence reaction. The plan of the C12 was interesting in its inaccessible capsule polarizing innovation. The capacity to alter the capsule’s polar…
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10 years after the improvement of the omnipresent U47, the U48 Microphone was discharged with one variety to the U47. It had “bidirectional” (figure 8) capability. The bidirectional capability can be exceptionally valuable in more “encompassing” recording situations. Such as where the building recording the sound does not need to listen as much of the…
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Each awesome artist merits an astonishing receiver. For more than 60 years, the U47 Microphone has been that mouthpiece. Its definitive mid-range and expanded low-end reaction have made the TelefunkenU47 the “go-to” standard for any genuine recording studio. The TelefunkenElektroakustik entertainment of the U47 huge stomach tube receiver is correct in each detail. Down to…
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Telefunken Elektroakustik presents the modern ELA M 251 T Microphone. An amplifier highlighting the recently created CK-13 capsule. Whereas based upon the classic ELA M 251 models, the ELA M 251T includes a really present day turn. That bend in the execution of Combination 2213™ as the stomach layer fabric for the CK-13™ capsule. Amalgam…
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The TELEFUNKEN ELA M 251E Microphone has been highlighted on endless hits and classic recordings over the decades. Nowadays, prime illustrations of vintage ELA M 250 / 251 (both “E” and “non E”) amplifiers have gotten to be uncommon and profoundly looked for after gems. They have been commanding tens of thousands of dollars on…
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The LCA 2B is an all-tube VCA compressor/limiter with two autonomous, linkable channels. It’s a genuine TUBE VCA compressor, employing a tube as the VCA (voltage controlled intensifier). This kind of compressor is additionally known as a Vari Mu compressor. TUBE-TECH LCA 2B is one of the most effective and flexible VCA compressors in the…
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TUBE-TECH SMC2BM is the acing adaptation of the popular SMC2B Stereo Multiband Compressor. On SMC2BM all sound controls include Tall Quality switches, fitted with accuracy resistors, to guarantee extraordinary precision in settings and recalls. The SMC2BM has ended up one of the favourite mixing/mastering compressors for numerous best acing engineers around the world. The sound…
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The TUBE-TECH CL 1B is an all-tube optical mono compressor. It conveys a really melodic and smooth compression, protecting the clarity of the source even at extraordinary settings, and typically where CL 1B truly stands out compared to other compressors. Moreover, the operation is exceptionally natural, empowering you to realize your goal achieve your objective…
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The PE 1C may be an inactive, all-tube EQ, based on the classic PULTEC EQP 1A plan and highlighting a detached EQ area and a tall quality op-amp. With the initial Pultec out of generation for decades and utilized illustrations demanding sky-high costs, the PE 1C is by distant the most straightforward way to attain…
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