Attack EP88 is the world’s, first attached electric piano library and conceivably the foremost comprehensive electric piano library of any kind. Built on an establishment of over 47,000 samples, Attack EP88 is an unimaginably wealthy sounding and profoundly customizable instrument, giving various discrete signal ways counting DI, tube, contact mic, mono mic, and stereo pair, interesting envelopes and effects for both the electric and acoustic signals, and discrete voicing and tuning controls for all 88 keys. The only library of its kind, Attack EP88 conveys a completely modern take on the much-loved electric piano sound, within the most user-friendly and comprehensive way we seem to envision.
A ‘tack’ piano is a shape of arranged piano most commonly seen on acoustic uprights where, as in this illustration, each of the hammers has had a brass tack or metal gadget introduced on or between the hammers and the resonators. The sound is most unquestionably still piano but the introductory assault stage is emphasized, it’s more show, with a resounding metallic brilliance. As it turns out this planning is very extraordinary on electric piano. The tonal character is nearly bell-like in quality, giving a totally modern viewpoint and life to the classic electric piano sound.
Attack EP88 starts with an impeccably reestablished 88-key Rhodes Mark I arranged with a brass tack on the striking surface of each pound. The objective of the extension was to basically convey a complete virtual studio built around this instrument, permitting users to customize and investigate it when and how they need it. Doing this appropriately requires a number of sound sources and very broad recordings of each. All through, the most extreme consideration to quality and detail was made for everything from hardware choice to the last altering, from UI and preset plan to get together.
Image: UVI
