With the UVX670 we’re heading back in time to the ’80s to deep-dive, layer and combine sounds from two one of a kind, underrated analogue jewels from Japanese synth maker Akai; the VX600 and the AX73. Both are six-voice analogue polysynths, the VX600 is a pad beast with double VCOs per voice and the AX73 is exceptional for leads and bass with a 6 VCO design usable in either poly, stacked or harmony modes through Curtis 4-pole 24/DB resounding lowpass channels.
These two synths both utilized flexible tweak frameworks capable of a wide extend of sounds. The VX600 had a complex mod framework, 2 LFOs per voice and permitted recurrence modulation. The AX73, with 1 LFO per voice has variable beat width with PWM usable on any of the waveforms. Independently, not one or the other the VX600 or AX73 has a well-known vintage classic status, but it’s not due to needing of capability or wealthy sound potential. Combined, these synths make an extraordinary compliment, each loaning quality to the other and making a few really effective sounds when utilized together.
UVX670 begins with a VX600 and AX73, both overhauled and reestablished to factory condition. UVI’s sound designers fully explored these synths, making a wide choice of sounds that speak to an array of their qualities and idiosyncrasies counting bass, chimes, brass, FX. keys, leads, organs, pads, plucks, polysynths, strings and voices. You’ll discover a wide determination of both themed and the prototype sounds perfect for genre-based production, among numerous more motivating and inventive sounds for those looking to find their own character sound.
Sampling was made per key for each patch, and on the AX73 UVI multiplied them, counting both damp and dry adaptations with the built-in refrain effect. For recording, they utilized Prism converters, with all samples carefully altered and altogether tried to guarantee the most elevated conceivable quality and solid execution.
Image: UVI
