The CZ series from Casio is a longstanding favourite. When UVI approached the Cameo venture they needed to do something extraordinary that not as it highlighted the amazing sounds of these classic synths but that gives something modern to individual CZ aficionados. UVI started with a number of fully-serviced classics, counting the Casio CZ1, CZ101 and many more, to finish up with three instruments each with a specific approach, interesting sonic character and motivation.
Cameo CZ joins a colossal library of custom patches outlined on the initial equipment. A piece of the wealthy differing qualities of timbres conceivable through stage mutilation union, sounds extend from complex computerized tones to thick and surprisingly analogue-sounding basses and leads. Cameo CZ gives a fantastically profound sample library, counting varieties with and without the interesting refrain effect of the lead CZ1.
Cameo CM reflects UVI’s claim viewpoint on the stage mutilation sound. Another dual-layer instrument, but this time utilizing the wavetable oscillator and DSP forming devices from Hawk. Cameo CM isn’t sample-based within the sense of the CZ and CX, or maybe it utilizes a hybrid approach outlined to make entirely unused and special sounds with the able engineering of the UVI Motor. Investigate a run of high-quality presets or plan you possess sounds with a full complement of amalgamation instruments and built-in effects
Cameo CX is a dual-layer instrument with an enormous array of sounds and crude waveforms captured specifically from the equipment instruments. Utilizing the crude waves as the premise for a sound plan inside a cutting edge computerized environment permits a wide assortment of tones covering everything from vintage-inspired to advanced euphoria. Investigate the factory presets or plans you own sounds from scratch with the crude waveforms.
Image: UVI
