UVX80 is based on a great Japanese manufacturer’s analogue polyphonic synth. this is a digitally-controlled 2+1 oscillator, 8-voice, 61-key instrument propelled in 1984 with a flawless and futuristic-looking visual position. Actually comparable to the JX-3P, this synth bragged a stronger design with 2 additional voices, a sub-oscillator, and a genuine pulse-width modulation.
In spite of its specialized preferences and significant sonic capability, it would discover a comparative destiny, never overseeing incredible commercial victory but drawing in religion taking after that’s display indeed nowadays. Whereas not as troublesome to alter as the 3P, this synth shared the need for express controls found on the fiercely well known but more fundamental Juno-106 that propelled the same year.
A really dynamic plan for the time, you’d never know it was analogue by looking at it, but there’s no mixing up the warm and punchy sound this console produces – it’s a genuine analogue monster and to some degree of a sleeper pearl from the time. Due to the constrained generation of the initial machines exceptionally few are cleared out nowadays, with indeed less in working condition.
The UVI Japan office was able to secure a perfect model, making beyond any doubt it was calibrated to factory specs sometime recently passing to UVI’s sound design group. Once in Paris, they pushed it to its limits, designing tones from classic to present-day and letting the special character of this synth sparkle.
Recordings were made utilizing the highest-quality processors and converters available, resulting in a fantastically wealthy and distinctive library to serve as the premise for UVX80. Once stacked into the UVI Motor the sound designers polished these patches making the crossbreed instrument display to you today. Presently you’ll investigate the particular and effective analogue sound of this vintage ‘80s synth with all the comforts and adaptability of a cutting edge studio instrument.
Image: UVI
