The M81 Microphone is the perfect choice for endless sound sources both within the studio and on the arrange. It has the features one expects on a TELEFUNKEN Energetic Arrangement Receiver. These include a same condenser-like reaction, negligible nearness impact, and prevalent error remover. Smooth recurrence response, clarity and richness of body are great features.…
Read more
Telefunken TDA-1 Direct Box is a mono unit, modern dynamic FET coordinate box plans. It utilizes the best quality components in a cutting edge take on classic circuitry. Consequently, it allows a full, wealthy character that both complements and holds the normal tone and feel of your instrument. The TDA circuit utilizes discrete Class-A FET…
Read more
The M61 FET Omnidirectional bundle incorporates one M60 intensifier combined with a TK61 omnidirectional polar design capsule. The TK61 highlights a 6-micron gold-sputtered layer measuring 15mm in breadth and offers an expansive, open sound finishing. It allows you to capture the climate and vibe of your instrument or recording environment. You’ll be able to breathe…
Read more
Over the final decade, the M80 has ended up a staple in live sound support and studio recording. The M80 microphone captures the total run of any source. This thanks to its wide recurrence reaction, condenser-like execution, and tall SPL capabilities. Making it dependable, to begin with, the choice for numerous sources counting lead vocals…
Read more
The M60 FET Cardioid Microphone bundle incorporates one M60 enhancer matched with a TK60 cardioid polar design capsule. It has a 6-micron gold-sputtered film that measures 15mm in breadth. Additionally, it comes with a full moo conclusion, and a speedy and precise transitory reaction. The recurrence reaction is level from 150Hz to 7kHz with a…
Read more
The small-diaphragm ELA M260 Microphone is ostensibly one of the industry’s finest acoustic and classical recording tube receivers. It has a bounty of tones with fabulous detail and clarity. Though it’s not a generally exact reproduction of the first ELA M260 like the Jewel Arrangement amplifiers. However, TELEFUNKEN Elektroakustik’s adaptation of the ELA M260 is…
Read more
The phantom-powered TF11 FET Microphone shows a flawlessly open and point by point recurrence reaction. It has an especially quick temporal reaction. Furthermore, it features a tall SPL and moo self-noise. All of this by mixing an Austrian-inspired voicing comparable to the incredible C12 with present-day FET tall execution.. The compact, cardioid TF11 is flexible,…
Read more
Telefunken Elektroakustik has suspended standard generation of the AC701 based ELA M 251 microphone. The ELA M 251E highlights the more common GE JAN 6072a vacuum tube. The Telefunken ELA M 251 intensifier circuit was initially built to fulfill the standardized necessities of the German and Austrian national broadcast frameworks after World War II. It…
Read more
If there ever was an amplifier that exemplified classic, hi-fidelity sound, it would be the Austrian-designed C12 Microphone. Initially created by AKG Acoustics in 1953, the C12 is venerated for its smooth, vaporous recurrence reaction. The plan of the C12 was interesting in its inaccessible capsule polarizing innovation. The capacity to alter the capsule’s polar…
Read more
10 years after the improvement of the omnipresent U47, the U48 Microphone was discharged with one variety to the U47. It had “bidirectional” (figure 8) capability. The bidirectional capability can be exceptionally valuable in more “encompassing” recording situations. Such as where the building recording the sound does not need to listen as much of the…
Read more
Check out their 100% Free Music Production Certificate brought to you by ELEVIN.org
