Find the end of the proficient mix maximizing with MM-1 Mastering Maximizer. Based on the regarded and crucial DS1-MK3, MM-1 lets you easily accomplish a bona fide, cleaned Weiss acing sound with the most noteworthy level of din you desire. Featuring the same calculations as DS1-MK3—plus an easy-to-use fashion selector, a shrewdly sum handle, and…
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Elegantly warming and soaking any sound source with its tube stages, and delicately levelling with its moderate, smooth compression, the Tube-Tech Classic Channel isn’t a commonplace strip. Comprised of three partitioned units, the inactive tube-driven PE 1C and ME 1B ‘Pultec’-style equalizers and the world-famous CL 1B optical compressor, it brings warm, punchy analogue sound…
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Fat, tube-driven, detached equalizers can be so much more than useful apparatuses. They confer character and fashion to any source; drums, synths, vocals, guitars, strings, brass and more. As such, they’ve been looked after in top-of-the-line universal studios for decades, and their sound enhances the surfaces of thousands of classic records, in each class, you’ll…
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The title Weiss is synonymous with quality in acing, and a really uncommon compressor/limiter is fundamental to any genuine acing build. The Weiss DS1-MK3 is the gold-standard for the world’s most prominent acing masters. And for the Weiss Compressor/Limiter, we draw on its essence (and code-base) to bring a completely centred advanced answer to the…
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The Tube-Tech CL 1B is a cutting edge classic for an awfully great reason. As a vocal compressor in specific, its blend of characteristic warm moderate opto pick up lessening and shockingly flexible can’t-sound-bad operation have made it a staple over a more extensive assortment of sorts than maybe any other optical compressor. Classic shake,…
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Whether you want to try and tame some lead vocals, smooth out a bright hi-hat, or even reduce the harshness of the entire track a bit while mastering at the same time, Weiss Deess is a must-have in your essential toolset. Weiss Deess is a single plug-in as part of the Weiss collection of plug-ins.…
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Within the world of measured amalgamation, there are certain names that command worship and regard, like Moog, Buchla, Doepfer, and Serge, but there are others that rouse the kind of effervescing charm and fervour that essentially won’t take off you alone until you’ve filled your room and half the passage too. Mutable Disobedient have been…
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Braids, by French Eurorack pioneers Mutable Instruments, isn’t an oscillator. It sort of looks like one, with fine and coarse pitch/frequency controls, a v/oct input, and voltage-controllable tone/timbre controls. It indeed sorts of sounds like one, in as distant as it outputs audio. Mutable Instruments call it a large scale oscillator, but indeed that’s a…
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It’s time to require control of time itself, with the Doepfer A-188-1 Bucket Brigade Device for Softube Modular. Softube formally authorized software adaptation of the BBD module spoken to a modern challenge in terms of the component by component analogue modelling, and the comes about were worth the effort. Bypassing your signal along a line…
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Energize a fabric with a few sorts of vitality input (a slap, a rub, a blow) and you’ll get a clamour. The resounding qualities of that fabric (be it wood, metal, glass, a drum, a trumpet, a buttock), and the way in which you energize it’ll decide the qualities of that sound; among other things,…
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