The M60 FET Cardioid Microphone bundle incorporates one M60 enhancer matched with a TK60 cardioid polar design capsule. It has a 6-micron gold-sputtered film that measures 15mm in breadth. Additionally, it comes with a full moo conclusion, and a speedy and precise transitory reaction. The recurrence reaction is level from 150Hz to 7kHz with a…
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The small-diaphragm ELA M260 Microphone is ostensibly one of the industry’s finest acoustic and classical recording tube receivers. It has a bounty of tones with fabulous detail and clarity. Though it’s not a generally exact reproduction of the first ELA M260 like the Jewel Arrangement amplifiers. However, TELEFUNKEN Elektroakustik’s adaptation of the ELA M260 is…
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The phantom-powered TF11 FET Microphone shows a flawlessly open and point by point recurrence reaction. It has an especially quick temporal reaction. Furthermore, it features a tall SPL and moo self-noise. All of this by mixing an Austrian-inspired voicing comparable to the incredible C12 with present-day FET tall execution.. The compact, cardioid TF11 is flexible,…
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Telefunken Elektroakustik has suspended standard generation of the AC701 based ELA M 251 microphone. The ELA M 251E highlights the more common GE JAN 6072a vacuum tube. The Telefunken ELA M 251 intensifier circuit was initially built to fulfill the standardized necessities of the German and Austrian national broadcast frameworks after World War II. It…
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If there ever was an amplifier that exemplified classic, hi-fidelity sound, it would be the Austrian-designed C12 Microphone. Initially created by AKG Acoustics in 1953, the C12 is venerated for its smooth, vaporous recurrence reaction. The plan of the C12 was interesting in its inaccessible capsule polarizing innovation. The capacity to alter the capsule’s polar…
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10 years after the improvement of the omnipresent U47, the U48 Microphone was discharged with one variety to the U47. It had “bidirectional” (figure 8) capability. The bidirectional capability can be exceptionally valuable in more “encompassing” recording situations. Such as where the building recording the sound does not need to listen as much of the…
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Each awesome artist merits an astonishing receiver. For more than 60 years, the U47 Microphone has been that mouthpiece. Its definitive mid-range and expanded low-end reaction have made the TelefunkenU47 the “go-to” standard for any genuine recording studio. The TelefunkenElektroakustik entertainment of the U47 huge stomach tube receiver is correct in each detail. Down to…
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Telefunken Elektroakustik presents the modern ELA M 251 T Microphone. An amplifier highlighting the recently created CK-13 capsule. Whereas based upon the classic ELA M 251 models, the ELA M 251T includes a really present day turn. That bend in the execution of Combination 2213™ as the stomach layer fabric for the CK-13™ capsule. Amalgam…
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The TELEFUNKEN ELA M 251E Microphone has been highlighted on endless hits and classic recordings over the decades. Nowadays, prime illustrations of vintage ELA M 250 / 251 (both “E” and “non E”) amplifiers have gotten to be uncommon and profoundly looked for after gems. They have been commanding tens of thousands of dollars on…
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The LCA 2B is an all-tube VCA compressor/limiter with two autonomous, linkable channels. It’s a genuine TUBE VCA compressor, employing a tube as the VCA (voltage controlled intensifier). This kind of compressor is additionally known as a Vari Mu compressor. TUBE-TECH LCA 2B is one of the most effective and flexible VCA compressors in the…
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