The Model 10 is a loyal diversion of the primary compact modular synthesizer made by Dr Robert Moog in 1971. The new machine seems to break down the basic building pieces of sound, gifting the administrator the capacity to control each perspective of its output – basically building sound from scratch. Performers, composers, specialists, and pioneers would adopt this modern gadget to form unheard-of sounds, create modern melodic styles, and investigate unused wildernesses of self-expression – a convention of electronic experimentation that proceeds to advance more than 50 a long time afterwards.
The Model 10 may be a loyal entertainment of the primary compact measured synthesizer made by Dr Robert Moog in 1971. Outlined for transportability, the Show 10 is housed in a rough Tolex-enclosed wood cabinet and comprised of 11 discrete analogue modules, counting the 907 Settled Channel Bank, loved for its endless sound forming and timbral conceivable outcomes, and three 900-series oscillators, the foundational sound behind Wendy Carlos’s Switched-On Bach and Isao Tomita’s Snowflakes Are Moving. The forerunner to the Model 15, the Model 10 plan centres on immaculateness of sound, speed, and straightforwardness whereas giving the gigantic sonic profundity and measurement found as it were in a vintage Moog secluded synthesizer.
Each Model 10 is hand-built to its unique 1971 Moog production line details and could be a genuine diversion of the initial. Person modules are brought to life fair as they were about 50 a long time prior: by hand-stuffing and hand-soldering components to circuit sheets, and utilizing conventional wiring strategies. Each module is at that point tried, wrapped up with an aluminium board, and set in its unused hand-wired measuring instrument. The Moog Model 10 is a limited production build and they are limited quantities built.
Image: Moog
