Modular synthesizers are a way of life. The sense of endless possibility, of open-ended adventure, is captivating. Addictive even. And nothing else can produce the sonic extremes of which a modular system is capable. Patch four or five modules together in a new way and you just might hear something no human ear has ever…
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Analogue tape incorporates a smoothing impact and includes weight and stick to a blend – it turns the recording from a collection of person tracks into a melody, where everything is associated and works together. Tape, with its component-level and physical modelling of three diverse tape machines, gives you all the warm vintage cohesion you…
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The Spectral Multiband Resonator (4ms SMR) for Softube is a very versatile option. Its sounds range from a classic channel bank, or a marimba when plucked/struck. It also has vocode, re-mix tracks, harmonize, yield ghastly information, quantize other oscillators to scales, and much more. Mona Lisa. It’s colourful, complex, and melodic, boundlessly growing what is…
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With the Buchla 259e, the feedback is beautiful turned. Buchla 259e Bent Waveform Generator is the first-ever authorized plug-in form of a Buchla item. It comes with a pined for double oscillator module presently accessible for Softube Measured. The unit can be used for conventional synth patches. However, its abnormal inward workings make it exceed…
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A long-awaited expansion to the Softube Modular platform, the 4ms Pingable Envelope Generator opens up a tremendous cluster of conceivable outcomes past the fundamental ADSR envelope generator included within the centre Secluded package. Two free envelope generators can be ‘pinged’ by outside sources – your DAW clock, for illustration – to characterize the cycle length…
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Find the end of the proficient mix maximizing with MM-1 Mastering Maximizer. Based on the regarded and crucial DS1-MK3, MM-1 lets you easily accomplish a bona fide, cleaned Weiss acing sound with the most noteworthy level of din you desire. Featuring the same calculations as DS1-MK3—plus an easy-to-use fashion selector, a shrewdly sum handle, and…
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Elegantly warming and soaking any sound source with its tube stages, and delicately levelling with its moderate, smooth compression, the Tube-Tech Classic Channel isn’t a commonplace strip. Comprised of three partitioned units, the inactive tube-driven PE 1C and ME 1B ‘Pultec’-style equalizers and the world-famous CL 1B optical compressor, it brings warm, punchy analogue sound…
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Fat, tube-driven, detached equalizers can be so much more than useful apparatuses. They confer character and fashion to any source; drums, synths, vocals, guitars, strings, brass and more. As such, they’ve been looked after in top-of-the-line universal studios for decades, and their sound enhances the surfaces of thousands of classic records, in each class, you’ll…
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The title Weiss is synonymous with quality in acing, and a really uncommon compressor/limiter is fundamental to any genuine acing build. The Weiss DS1-MK3 is the gold-standard for the world’s most prominent acing masters. And for the Weiss Compressor/Limiter, we draw on its essence (and code-base) to bring a completely centred advanced answer to the…
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The Tube-Tech CL 1B is a cutting edge classic for an awfully great reason. As a vocal compressor in specific, its blend of characteristic warm moderate opto pick up lessening and shockingly flexible can’t-sound-bad operation have made it a staple over a more extensive assortment of sorts than maybe any other optical compressor. Classic shake,…
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